Directed by: Dwight H Little
Starring: Donald Pleasence, Danielle Harris, Ellie Cornell, George P Wilbur, Beau Starr, Kathleen Kinmont, Sasha Jenson
Ten years after committing the original massacre, Michael Myers returns to Haddonfield in search of his niece, Harris.
With audiences and critics reacting poorly to "Halloween 3", it was inevitable that a fourth movie would feature Michael Myers and a return to the slasher formula which made the original a hit. By the late eighties, slasher movies were more likely to be found on the shelves of video stores than playing in theaters. It was important that "Halloween 4" be a success so as to save the franchise from an exile in straight-to-video hell. It was indeed a success, at least financially, ensuring the survival of Myers for quite a while. Producer Moustapha Akkad, who had taken control of the rights, half-jokingly said he would make twenty-four sequels before he retired Myers.
With Curtis out of the picture, the film would be carried by Pleasence, now practically a household name thanks to the role of Dr. Loomis. As with the second film, he's given some great dialogue to chew on. A confrontation between Loomis and Myers in a gas station is one of the highlights not just of this film but the series as a whole. Loomis, replete with burn scars from "Halloween 2"'s finale, is now a tired old man who resorts to begging Myers to "leave those people alone". Few slasher flicks can boast of such a human moment. As the series' newly elected heroine, ten-year-old Harris is a revelation, a child actor who actually acts like a child rather than a miniature adult.
Director Little does some effective if not earth shattering work behind the camera. His two greatest contributions are the moody shots of farmland in the credit sequence and a "Vertigo" zoom in the aforementioned gas station set-piece. Compared to the hacks who would take over in subsequent sequels he does an admirable job. After collaborations with Carpenter, composer Alan Howarth strikes out on his own for this film's score. While the central themes remain, Carpenter's absence is notable and the music isn't nearly as effective as in previous films.
"Halloween 4" was met with scorn but, importantly, it won back the fans with a thrilling and snappy installment in the adventures of their favorite mass murderer. Sadly, the series was about to enter its wilderness years.
8/10
Eric Hillis