 
  Review by
        Ben Peyton
  Directed by: Anthony Russo, Joe Russo
  Starring: Tom Holland, Ciara Bravo, Jack Reynor, Forrest Goodluck, Jeff
      Wahlberg
 
    
      After spending the last few years marvelling at Thor’s hammer and
      polishing Captain America’s shield, the Russo brothers swap super heroes
      for super soldiers in Cherry. Based on the semi-autobiographical novel of the same name by
      Nicholas Walker, some of the fantastical elements of their
      story-telling remains, but this is a dark, dirty and drug-fuelled
      departure for them.
    
      Tom Holland’s pill-popping, deliberately unnamed student falls in
      love with the wholesome Emily (Ciara Bravo). After their
      relationship fails, he joins the army as she prepares to leave for
      college. Quickly realising they can’t live without each other, they get
      back together and give their romance one last shot. After getting married,
      he completes his training as a medic and promptly ships off to join the
      Iraq War as Emily continues her studies.

      Upon his return, undiagnosed PTSD causes his life to spiral out of
      control, dragging Emily down with him. Poor choices of friends, continued
      substance abuse and eventually armed robbery bring tragedy to his already
      desperate life. With the highs come the lows and these are explored with
      an unflinching graphicness as redemption always seems to be just beyond
      his reach.
    
      The Russo brothers have created an intriguingly distorted and quirky world
      with flashbacks and a narrative split into different parts. The fourth
      wall is regularly broken by Holland while their use of colour reflects a
      certain character’s mood. In an Ecstasy induced stupor, Holland’s world is
      filtered with calm, pale colours until he sees Emily, radiant in pinks and
      reds.

      The film’s focus, however, is in highlighting the many corporations and
      individuals that form part of the system that have failed so many Veterans
      in the past. Here we have banks called The Bank or Shitty Bank, and as
      Holland’s condition worsens, there’s even a Doctor Whoever. His
      disillusionment with those in power deepens and anyone considering signing
      up for a career in the military will most definitely think twice after
      watching this film.
    
      With this rather stylised introduction and an occasionally clunky script,
      the opening half an hour veers dangerously close to being pretentious, but
      that’s all forgotten when the bullets begin to fly. Not ones to shy away
      from a battle scene, the Russo brothers make sure the brutal reality of
      war is brought to life in horrifically vivid detail.

      Holland is exceptional. Showcasing an intense vulnerability, wreaking of
      desperation and with an arrogant, reckless contempt for his life and those
      closest to him, his descent into addiction is a compelling watch.
      Cherry proves that there’s so much more to him than spinning
      webs. Not to be outdone is Bravo. Starting off as the all-American girl
      next door, the journey she undertakes, purely because of love, is
      heart-breaking and it’s a superb performance.
    
      Cherry is a hard-hitting and emotionally charged insight
      into how war heroes have been treated in America. Featuring two
      outstanding lead turns, the Russo brothers explore the psychological
      battles soldiers must face every day as they attempt to navigate the
      challenges that reintegrating into society brings. Not an easy watch, but
      an enthralling one.
    
    
    
      Cherry is on AppleTV+ from March
      12th.
    
     

