Review by
Eric Hillis
Directed by: Yorgos Lanthimos
Starring: Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Joe
Alwyn, Mamoudou Athie, Hunter Schafer
Yorgos Lanthimos reunites with Efthimis Filippou, his
regular screenwriter before his recent Tony McNamara collaborations, for
Kinds of Kindness, an anthology film consisting of three tales, all of which feature the
same recurring cast members. Part of the appeal of portmanteau films is
that if you're not vibing with one story you know another will come along
pretty soon. With each segment running close to an hour, that's not the
case here. If the absurdist tone doesn't hook you from the start, you'll
likely find Kinds of Kindness a test of your patience. But
while it's exhausting and unwieldy in stretches, it's entertaining and
amusing often enough to make it a worthwhile venture for those already
onboard with Lanthimos.
Of the many anthology movies that have come before it, the one
Kinds of Kindness reminded me of the most is Lewis Teague's
Stephen King adaptation
Cat's Eye. Like that 1985 movie, the three stories presented in
Kinds of Kindness see their protagonists take extreme
measures to prove their loyalty. If you swapped out James Woods and Alan
King for Jesse Plemons and Willem Dafoe, the Quitters Inc
segment of Cat's Eye, in which Woods finds himself under the increasingly maniacal control of
King as he attempts to quit smoking, would be right at home here. There's
also a child here who is referred to by her parents as simply "the little
one," which makes me wonder if it's a nod to Drew Barrymore only ever
being referred to as "our girl" in Teague's film.
Plemons and Dafoe are two of the central recurring figures, along with
Emma Stone, Margaret Qualley and Hong Chau. Greek
actor Yorgos Stefanakos appears in all three tales in the
non-speaking role of RMF, who lends his name to each story's title. We
open with 'The Death of RMF', in which Plemons plays Robert, a man whose
life is under the intense control of his boss Raymond (Dafoe). Raymond
decides how much weight Robert should put on, and has insisted that he
can't have children with his wife Sarah (Chau). In return Robert is
rewarded with a well paid job, a nice house and frequent gifts of sports
memorabilia, including a smashed John McEnroe racket and the helmet Ayrton
Senna wore at the time of his fatal crash. Robert begins to question this
pact when Raymond demands that he slam his car at high speed into a
vehicle driven by RMF, who Raymond claims has willingly agreed to be
killed.
The second story, 'RMF is Flying', is the most conventional of the three,
and certainly the least original. Here Plemons is Daniel, a cop whose
marine biologist wife Liz (Stone) has been missing at sea for several
months. When Liz is finally found and returned to Daniel, he begins to
suspect that the woman in his home isn't really his wife. It's an idea
we've seen countless times before and aside from a sharp turn into
body-horror towards its conclusion, Lanthimos doesn't add a whole lot to
this concept (see the recent Irish horror
You Are Not My Mother
for a better version of this story).
The final segment sees Plemons take a back seat and Stone take centre
stage. They play Andrew and Emily, a married couple who are members of a
cult dedicated to the idea of raising the dead. Emily believes that a
woman she saw in a dream is the key to fulfilling the cult's prophecy.
Discovering a pair of twins (both played by Qualley) who look identical to
the woman from her vision, Emily takes a series of extreme measures to
impress her leaders (Dafoe and Chau). This one is somewhat reminiscent of
Todd Solondz, especially when Emily pays a visit to her abusive ex-husband
(Joe Alwyn), and also nods to Ralph L. Thomas's
Ticket to Heaven in its depiction of its cult, with one
particular shot recreated wholesale from Thomas's film.
If you remove their more absurdist elements, the three stories of
Kinds of Kindness aren't a million miles from what you might
find in an anthology show like Alfred Hitchcock Presents or
Tales of the Unexpected. They have the brand of misanthropic pessimism you find in the darker
stories of Roald Dahl and Guy de Maupassant, but Lanthimos and Filippou
don't possess the natural storytelling abilities of either of those short
form masters. The ideas here are half-formed at best and we often feel as
though we're watching a first draft that was rushed into production while
Lanthimos is still flavour of the month.
The stories themselves aren't particularly gripping, and all three have
anti-climactic resolutions, so it's left to the absurdism to keep us
entertained. It's in this aspect that we're reminded of what Lanthimos's
films without Filippou have been missing, those genuinely odd touches that
once led to the coining of the label "Greek Weird Wave." When
Kinds of Kindness allows itself to get truly weird it
momentarily soars: one of the stories is capped with a montage of dogs
scored to Dio's cock rock anthem 'Rainbow in the Dark' that is like
nothing you've ever seen before, and there's a hilarious comic beat
involving a "home movie."
But what's most compelling about Kinds of Kindness is the
novelty of seeing some of America's finest working actors inhabit a
variety of roles and display their range. Plemons and Stone are remarkable
across all three segments, with three performances that are so distinct
from one another that you forget about their previous characters within
seconds of them inhabiting a fresh role. It's a welcome throwback to the
TV era when you could watch Vera Miles play a killer one week and a victim
a month later on Alfred Hitchcock Presents, or the 1975 ABC movie of the week Trilogy of Terror, in which Karen Black played four wildly different roles (jncluding,
like Qualley here, a set of twins) across three separate stories.
For all its flaws, Kinds of Kindness is a reminder of why
so many actors want to work with Lanthimos, as he offers the chance to
inhabit the sort of bizarre roles that just aren't common in English
language cinema today. But in the many moments when
Kinds of Kindness grinds to a halt, you might find yourself
wishing that such resources had been gifted instead to that other European
arch-absurdist Quentin Dupieux, whose own recent anthology,
Smoking Causes Coughing, managed to pack in more absurdism and comedy in half the running
time.
Kinds of Kindness is in UK/ROI
cinemas from June 28th.
