The Movie Waffler New Release Review - RUMOURS | The Movie Waffler

New Release Review - RUMOURS

Rumours film review
The G7 leaders find themselves lost in an increasingly bizarre situation amid a summit.

Review by Eric Hillis

Directed by: Guy Maddin, Evan Johnson, Galen Johnson

Starring: Cate Blanchett, Charles Dance, Roy Dupuis, Denis Ménochet, Nikki Amuka-Bird, Rolando Ravello, Takehiro Hira, Zlatko Burić, Alicia Vikander

Rumours film poster

Co-directors Guy MaddinEvan Johnson and Galen Johnson's Rumours is an absurdist cousin of Ruben Ostlund's Triangle of Sadness, with a bunch of elites quickly finding themselves out of their depth when they become isolated in a survival scenario. The elites here couldn't be more elite: they're the G7, the leaders of the world's most important democracies (and Canada), gathered for a summit at a German chateau to draft a joint statement on some ambiguous global crisis.

Rumours film review

The film sketches the leaders as broad national stereotypes, and in some cases they appear to draw from their real life counterparts. US President Edison (Charles Dance) is a rambling dodder who struggles to stay awake (Dance's British accent fuels the movie's best punchline). Prissy German Chancellor Hilda (Cate Blanchett) is obsessed with taking charge and ensuring everything runs smoothly. Snooty British Prime Minister Cardosa (Nikki Amuka-Bird) seems to look down on her colleagues. French President Sylvain (Denis Ménochet) appears more concerned with enjoying a meal and some good wine than in solving whatever crisis is afoot. Canadian Prime Minister Maxime (Roy Dupuis) is a man-bunned himbo suffering from imposter syndrome. Antonio (Rolando Ravello) and Tatsuro (Takehiro Hira), the respective leaders of Italy and Japan, are just there to make up the numbers.


After a dinner the leaders knuckle down to drafting their statement, only for their papers to be blown away as a storm engulfs their gazebo. After chasing the papers, Sylvain returns, covered in mud. He claims he got lost and fell into the archaeological dig where bog bodies are being excavated, and that said remains have come to life. The leaders realise they're alone, with the staff having mysteriously disappeared and their cellphones suddenly inactive. Banding together, they try to make their way through the forest adjoining the chateau, contending with zombie-like bog bodies and minor crises along the way.

Rumours film review

Rumours certainly boasts a great setup, but Maddin and the Johnsons aren't interested in crafting the sort of political satire the premise suggests. Aside from hearing of Maxime's past as a left-wing protestor, we're given no indication of where each leader stands on the political spectrum. The filmmakers seem to be suggesting that at the end of the day, their elite position means world leaders have more in common with one another than their political views would suggest. But in refusing to define the characters' by their political philosophies, the filmmakers have missed an opportunity to generate comedy from the ways their individual politics might impact how they approach the crisis they find themselves in. Rather than satirising politics, Maddin and the Johnsons rely on cheap, but occasionally amusing, jokes about national stereotypes. Proving good sports, the Canadian filmmakers are happy to make their own country the butt of many of the jokes, and most of the laughs come from the patronising treatment of Maxime by the other leaders, and from his own self-consciousness.

Rumours film review

The cast seem to be having a blast here, with Blanchett an unsurprising standout, but after a while it becomes less fun for the audience as the movie struggles to make hay with its potentially great scenario. It's as though a skit from some comedic variety show has been stretched out to feature length, but halfway through the comedy elastic snaps and is left dangling as the film limps to a frustrating conclusion. It's certainly Maddin's most mainstream work to date, and though it does feature the odd surreal element like a giant brain inexplicably discovered in the middle of the woods, it feels like the arthouse auteur is purposely restraining himself to reach a new audience. With little to say other than pointing out the vanity of the sort of people who would become leaders, Rumours is as empty as a politician's promise.

Rumours is in UK/ROI cinemas from December 6th.



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