The Movie Waffler 10 Movies You Must See in January | The Movie Waffler

10 Movies You Must See in January

10 Movies You Must See in January
Our pick of the most exciting new movies coming to UK/ROI screens in January.

Nosferatu

Nosferatu (Jan 1st, cinemas)
Writer/director Robert Eggers (The WitchThe Northman) remakes FW Murnau's silent horror classic Nosferatu, which was itself an unofficial adaptation of Bram Stoker's 'Dracula'. Eggers' film stars Bill Skarsgård as Count Orlok, a vampire who becomes obsessed with a young woman (Lily-Rose Depp) in 19th century Germany.



A Real Pain

A Real Pain (Jan 8th, cinemas)
Written and directed by Jesse EisenbergA Real Pain stars Eisenberg and Kieran Culkin as estranged cousins David and Benji. To honour their grandmother's wishes, David and Benji unite for a tense tour of their ancestral homeland of Poland.



Babygirl

Babygirl (Jan 10th, cinemas)
Written and directed by Halina Reijn (Bodies Bodies Bodies), Babygirl sees Nicole Kidman play a powerful CEO who embarks on a sexual affair with a young intern (Harris Dickinson). Kidman scooped the Best Actress award at this year's Venice International Film Festival for her performance.



The Girl with the Needle

The Girl with the Needle (Jan 10th, cinemas)
Denmark's official Oscar entry is director Magnus Von Horn's The Girl with the Needle. Co-written with Line Langebeck, the film is set in the aftermath of WWI. Vic Carmen Sonne plays Karoline, a desperate young pregnant woman who takes the role of a wet-nurse for an underground adoption agency, unware of the dark side of her workplace.



Wolf Man

Wolf Man (Jan 17th, cinemas)
Having resurrected The Invisible Man, director Leigh Whannell turns his attention to another classic Universal monster. Co-written with Corbett Tuck, Lauren Schuker Blum and Rebecca AngeloWolf Man sees Christopher Abbott, Julia Garner and Matilda Firth play a family terrorised at a remote farmhouse by a furry, snarling threat, all while Abbott's Blake begins to undergo physical changes.





Emmanuelle

Emmanuelle (Jan 17th, cinemas)
Emmanuelle Arsan's 1967 erotic novel Emmanuelle was famously adapted by director Just Jaeckin in 1974 with Sylvia Kristel in the title role. That film's success spawned a series of sequels and unofficial cash-ins. Now director Audey Diwan (Happening) and co-writer Rebecca Zlotowski have returned to the original novel for their take. Noemie Merlant stars in the title role of a woman who experiences an erotic awakening while on a business trip to Hong Kong.



Presence

Presence (Jan 24th, cinemas)
Directed by Steven Soderbergh and written by David KoeppPresence sees a family move into an idyllic new home only to discover it's inhabited by a mysterious...well, presence. If that doesn't sound particularly novel, bear in mind the movie is shot entirely from the first-person POV of the ghost.



The Brutalist

The Brutalist (Jan 24th, cinemas)
After making an impressive switch from acting to directing with The Childhood of a Leader and Vox LuxBrady Corbet has drawn even more acclaim with his third feature, The Brutalist. Co-written with Mona Fastvold, the film spans three decades in the life of László Tóth (Adrien Brody), an architect and Holocaust survivor who leaves his native Hungary for the US, where his life is changed when he is hired by a wealthy industrialist (Guy Pearce).



Hard Truths

Hard Truths (Jan 31st, cinemas)
Mike Leigh returns to the milieu of working class London for his latest drama, Hard TruthsThe film stars Marianne Jean-Baptiste as Pansy, an abrasive woman who picks fights with everyone she meets, including her own family. Conversely, her sister Chantal (Michele Austin) views the world through a rose-tinted lens.



By the Stream

By the Stream (Jan 31st, cinemas)
Despite his prolific output, the acclaimed Korean filmmaker Hong Sang-soo rarely gets his films into UK/ROI cinemas. It's a welcome chance to savour his talents on the big screen in January with the release of By the Stream. The film sees a teacher convince her retired actor uncle to write and direct a play at her university, only to be dismayed when he begins a relationship with her boss.